Wednesday, March 30, 2011

Horace, Ode 2.20

Non usitata nec tenui ferar
penna biformis per liquidum aethera
vates, neque in terris morabor
longius invidiaque maior

urbes relinquam. Non ego, pauperum
sanguis parentum, non ego, quem vocas,
dilecte Maecenas, obibo
nec Stygia cohibebor unda.

Iam iam residunt cruribus asperae
pelles, et album mutor in alitem
superne, nascunturque leves
per digitos umerosque plumae.

Iam Daedaleo notior Icaro
visam gementis litora Bosphori
Syrtisque Gaetulas canorus
ales Hyperboreosque campos.

Me Colchus et, qui dissimulat metum
Marsae cohortis, Dacus et ultimi
nosent Geloni, me peritus
discet Hiber Rhodanique potor.

Absint inani funere neniae
luctusque turpes et querimoniae;
compesce clamorem ac sequlcri
mitte supervacuos honors.


A two-formed poet, I will be borne through the
clear sky on wings neither slight nor
common, nor will I delay in lands
for a long time and greater than envy

I will abandon the cities. Not I, the family of
poor parents, not I, whom you send for,
dear Maecenas, I will not die
nor will I be restrained by a Stygian wave.

Now already the rough skins shrink
on my legs, and I am changed to a white bird
above, and light feathers spring forth
on my fingers and shoulders.

Now, more famous than Icarus son of Daedalus,
I, a melodious bird, will visit the shores of the
groaning Bosphorus and Syrtis and Gaetulia and
the Hyperborean fields.

The Colchians will know me, who hide their
fear of the Marsian friend, and the Dacians and the
farthest Gelonians will know me, the skilled
Spaniard and the drinker of the Rhone will hear of me.

The funeral dirges and shameful grievings and
complaints are absent from the empty funeral;
restrain the noise and dismiss the unnecessary
honors of the tomb.


Horace, Ode 3.30

Exegi monumentum aere perennnius
regalique situ pyramidum altius,
quod non imber edax, non Aquilo impotens
possit diruere aut innumerabilis
annorum series et fuga temporum.
Non omnis moriar multaque pars mei
vitabit Libitinam; usque ego postera
crescam laude recens. Dum Capitolium
scandet cum tacita virgine pontifex,
dicar, qua violens obstrepit Aufidus
et qua pauper aquae Daunus agrestium
regnavit populorum, ex humili potens,
princeps Aeolium carmen ad Italos
deduxisse modos. Sume superbiam
quaesitam meritis et mihi Delphica
lauro cinge volens, Melpomene, comam.


I have finished a monument more lasting than bronze
and higher than the royal structure of the pyramids,
which neither the destructive rain, nor wild Aquilo
is able to destroy, nor the countless
series of years and flight of ages.
I will not wholly die and a great part of me
will avoid Libitina; I will continuously arise
fresh with later praise. While a priest will climb
the Capitoline with a silent maiden,
I shall be spoken of where the violent Aufidus roars
and where Daunus, poor in water, ruled
a rural people, powerful from humble origin,
the first to have brought Aeolic song to
Italian meters. Accept the proud honor
obtained by your merits and with the Delphic
laural, Melpomene, gladly encircle my hair.

Horace, Ode 1.38

Persicos odi, puer, apparatus;
displicent nexae philyra coronae;
mitte sectari rosa quo locorum
sera moretur.

Simplici myrto nihil allabores
sedulus curo: neque te ministrum
dedecet myrtus neque me sub arta
vite bibentem.



I hate Persian trappings, slave;
the crowns tied with lime-tree displease me;
do not pursue where of all places the
late rose delays.

I desire that you not take the trouble to
add anything to simple myrtle: nor is myrtle
unsuitable for you, attending, or for me, drinking
under a narrow vine.

Monday, March 28, 2011

Horace, Ode 2.13

Ille et nefasto te posuit die,
quicumque primum, et sacrilega manu
produxit, arbos, in nepotum
perniciem opprobriumque pagi.

Illum et parentis credidderim sui
fregisse cervicem et penetralia
sparsisse nocturno cruore
hospitis; ille venena Colcha

et quicquid usquam concipitur nefas
tractavit, agro qui statuit meo
te, triste lignum, te caducum
in domini caput immerentis.

Quid quisque vitet, numquam homini satis
cautum est in horas. Navita Bosphorum
Poenus perhorrescit neque ultra
caeca timet aliunde fata;

miles sagittas et celerem fugam
Parthi, catenas Parthus et Italum
robur; sed improvisa leti
vis rapuit rapietque gentis.

Quam paene furvae regna Proserpinae
et iudicantem vidimus Aeacum
sedesque discriptas piorum et
Aeoliis fidibus querentem

Sappho puellis de popularibus
et te sonantem plenius aureo,
Alcaee, plectro dura navis,
dura fugae mala, dura belli.

Utrumque sacro digna silentio
mirantur umbrae dicere; sed magis
pugnas et exactos tyrannos
densum umeris bibit aure vulgus.

Quid mirum, ubi illis carminibus stupens
demittit atras belua centiceps
auris, et intorti capillis
Eumenidum recreantur angues?

Quin et Prometheus et Pelopis parens
dulci laborem decipitur sono,
nec curat Orion leones
aut timidos agitare lyncas.


He placed you on an inauspicious day,
whoever first placed you, and with a sacrilegious hand
he tended you, tree, to the ruin of his descendants
and the shame of the district.

I would believe that he had broke the neck
of his parents and that he had scattered the
hearthstones with the nocturnal blood
of h is guest; he has dealt with Colchian poisons

and whatever sin is ever conceived,
he who placed you in my field,
wretched log, you destined to fall
on the head of an undeserving master.

That which one avoids, one is never cautious
enough from one hour to the next. A Punic sailor
trembles at the Bosphorus, and does not fear
blind fates from somewhere else beyond;

a soldier trembles at the arrows and swift flight
of Parthia, and a Parthian fears Italian chains and
strength; but the unexpected strength of death
has seized and will seize the nations.

How nearly I did see the kingdoms of
dusky Proserpina and judging Aeacus
and the assigned seats of the pious ones and
Sappho complaining with an Aeolian lyre

about the local girls
and you, Alcaeus, sounding more fully
with a golden quill of the hardships at sea,
the evil hardships of exile, and the hardships of war.

The shades each marvel to say things worthy
of a sacred silence; but the crowd, packed to the
shoulders, drinks with their ear more
the battles and exiled tyrants.

What strange thing is it, when the hundred-headed
beast, astounded by these songs, droops his black
ears, and the snakes twisting
in the hairs of the Fates rest?

Yes, even Prometheus and the parent of Pelops
are deceived with respect to their labor by a sweet sound,
nor does Orion care to pursue
the lions or the timid lynxes.


Sunday, March 27, 2011

Horace, Ode 2.14

Eheu fugaces, Postume, Postume,
labuntur anni, nec pietas moram
rugis et instanti senectae
adferet indomitaeque morti;

non, si trecenis, quotquot eunt dies,
amice, places illacrimabilem
Plutona tauris, qui ter amplum
Geryonen Tityonque tristi

compescit unda - scilicet omnibus,
quicumque terrae munere vescimur,
enaviganda, sive reges
sive inopes erimus coloni.

Frustra cruento Marte carebimus
fractisque rauci fluctibus Hadriae,
frustra per autumnos nocentem
corporibus metuemus Austrum.

Visendus ater flumine languido
Cocytos errans et Danai genus
infame damnatusque longi
Sisyphus Aeolides laboris.

LInquenda tellus et domus et placens
uxor, neque harum quas colis arborum
te praeter invisas cupressos
ulla brevem dominum sequetur.

Absumet heres Caecuba dignior
servata centum clavibus et mero
tinguet pavimentum superbo
pontificum potiore cenis.



Alas! Postumus, Postumus the swift years
slip away, nor does piety bring delay for
wrinkles and looming old age
and fierce death;

not even if, however many days go by, my friend,
you may appease pitiless Pluto with three hundred
bulls at a time, he who restrains triply large
Geryon and Tityos with the gloomy

water - which surely must be sailed by all,
whoever of us enjoys a gift of earth,
whether we will be kings
or poor farmers.

In vain, we will abstain from bloody Mars
and the broken waves of the raucous Adriatic sea,
in vain through autumn we will fear the
south wind harmful to our bodies.

The dark Cocytos river wandering with a sluggish
stream must be visited and the notorious family
of Danaus and Sisyphus Aeolides
condemned to a long labor.

Your land and your home and your pleasing
wife must be abandoned, and nor will any of
the these trees which you maintain follow you,
a short-lived master, except the hated cypresses.

Your more worthy heir will waste your Caecuban wine
guarded by a hundred keys and he will stain
the pavement with arrogant wine, better
than the dinner of the high priests.

Wednesday, March 23, 2011

Horace, Ode 2.12

Nolis longa ferae bella Numantiae
nec durum Hannibalem nec Siculum mare
Poeno purpureeum sanguine mollibus
aptari citharae modis,

nec saevos Lapithas et nimium mero
Hylaeum domitosque Herculea manu
Telluris iuvenes, unde periculum
fulgens contremuit domus

Saturni veteris; tuque pedestribus
dices historiis proelia Caesaris,
Maecenas, melius ductaque per vias
regum colla minacium.

Me dulcis dominae Musa Licymniae
cantus, me voluit dicere lucidum
fulgentis oculos et bene mutuis
fidum pectus amoribus;

quam nec ferre pedem dedecuit choris
nec certare ioco nec dare bracchia
ludentem nitidis virginibus sacro
Dianae celebris die.

Num tu quae tenuit dives Achaemenes
aut pinguis Phyrgiae Mygdonias opes
permutare velis crine Licymniae,
plenas aut Arabum domos,

cum flagrantia detorquet ad oscula
cervicem, aut facili saevitia negat,
quae poscente magis gaudeat eripi,
interdum rapere occupet?



You would not want the long wars of wild Numantia
nor hard Hannibal nor the Sicilian sea
to be made purple by Punic blood
by a lyre with sweet measures,

nor the savage Lapiths and Hylaeus with too much
wine and the sons of Earth conquered by
Herculean hand, whence the house
of ancient Saturn trembles at

the flashing danger; and you, Maecenas, can better
tell the battles of Caesar in historical prose,
and the necks of threatening kings led
through the streets.

The Muse wished me to say the sweet songs
to mistress Licymnia, to speak (of/about) her eyes brightly
shining and her heart well faithful
to mutual loves;

she who had not been unsuited to bear her foot with the choruses
nor to fight with a joke nor to give her arms,
playing with the shining maidens on the sacred
day of festive Diana.

For would you wish to exchange the riches which
Achaemenes holds or the Mygdonian wealth of
fertile Phrygia for a hair of Licymnia,
or the full Arabic homes,

when she bends her neck to your burning
kisses, or she refuses, with easy rage,
the kisses which, more than a woman demanding,
she rejoices to be snatched, and sometimes she attacks to snatch?

Horace, Ode 1.22

Integer vitae scelerisque purus
non eget Mauris iaculis neque arcu
nec venenatis gravida sagittis,
Fusce, pharetra,

sive per Syrtis iter aestuosas
sive facturus per inhospitalem
Caucasum vel quae loca fabulosus
lambit Hydaspes.

Namque me silva lupus in Sabina,
dum meam canto Lalagen et ultra
terminum curis vagor expeditis,
fugit inermem;

quale portentum neque militaris
Daunias latis alit aesculetis
nec Iubae tellus generat, Ieonum
arida nutrix.

Pone me pigris ubi nulla campis
arbor aestiva recreatur aura,
quod latus mundi nebulae malusque
Iuppiter urget;

pone sub curru nimium propinqui
solis in terra domibus negata:
dulce ridentem Lalagen amabo,
dulce loquentem.


He who is upright in life and pure of sin
does not need Moorish javelins nor bow
nor a quiver swollen with poisonous
arrows, Fuscus,

whether a journey must be made through the burning
Syrtes or through the inhospitable Caucasus
or the places which the famous
Hydaspes washes.

On the other hand, in the Sabine forest, while I
am singing of my Lalage and wandering beyond my
border free from cares, a wolf flees
me, unarmed;

such a omen as warlike Apulia does not
support in the wide oak forests
and the land of Juba does not produce, dry
nurse of lions.

Put me in lazy fields where no
tree is restored by a summer breeze,
the side of the world which clouds and bad
weather presses;

put me under the chariot of the too-near
sun, in a land denied houses:
I will love Lalage sweetly laughing,
sweetly speaking.